All from Remade in Hollywood: The Global Chinese Presence in Transnational Cinemas (2009) by Kenneth Chan, which is basically everything I care about all stuffed into one book.
On Chinese Box by Wayne Wang, often read as an allegorical film about the Hong Kong handover (Wang denies the allegories, but to me they are way too coincidental otherwise. The symbolism is quite blatant):
The Google Book ends at page 45. Woe is me! I was so engrossed. It is absolutely fascinating and I want to know more!
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